rENEE YEONG

Renee (She/They) is a London-based, New York-trained, Singaporean theatre director interested in telling contemporary stories about womxn, people of color, LGBTQ+ and other marginalized groups in the US, UK, Singapore, and beyond. 

They have presented both new and published work both in New York and Singapore. New works include Lotus Root Support Group, I LOVE WHITE MEN, and Annie Aspen’s Musical Space Spectacular!, and published work include When We Were Young and Unafraid by Sarah Treem, Dry Land by Ruby Rae Spiegel, and I am trying to say something true by Michelle Tan. Her work has been seen at Playwrights Horizons, Ars Nova, Dixon Place, Caveat NYC in New York, and Esplanade Theatre in Singapore.

As an assistant director, she has worked with Tony Award-winning director Rachel Chavkin on Bess Wohl’s world premiere play Continuity at Manhattan Theatre Club and Huzir Sulaiman on The Nuclear Family in 2020 for Checkpoint Theatre, up until its COVID postponement.

Renee is also big on audio and podcasts and will be releasing their debut audio fiction podcast “SAYANG” with long-time collaborator Nicholas Chan, produced by award-winning Singaporean media company Andas Productions, in Spring 2024.  

Renee has worked with a number of Singapore theatre companies in various capacities such as The Necessary Stage, Pangdemonium Theatre Company, Checkpoint Theatre, Buds Theatre Company, Toy Factory Productions and National University of Singapore

Renee is a member of the 2019 Lincoln Center Directors Lab, the 2018-2019 SDC Foundation Observership Class, and the 2022-2024 Esplanade Theatre TRIP Directors Program.

Since the pandemic, Renee started balancing her creative work with a corporate recruitment career hiring recruiters for a recruitment firm, which has only helped to deepen her understanding of the world and its complexities, plus it pays the bills!

BFA: New York University, Tisch School of the Arts